2018年12月31日 星期一

"Black Cat" "Sonnets to Orpheus" (1922) by Rainer Maria Rilke

Everyman's Library

New beginnings, intimations, changings.
From the stillness animals throng, out of the clear
Snapping forest of lair and nest;
And thus they are stealthy not from cunning
Not from fear
But to hear. And in their hearts the howling, the cry,
The stag-call seem too little. And where before
Was but the rudest shelter to receive these,
A refuge fashioned out of darkest longing
Entered, tremulo, the doorpost aquiver, -
There You have fashioned them a temple for their hearing."
--from "Sonnets to Orpheus" (1922) by Rainer Maria Rilke
RILKE: POEMS contains poems from The Book of Images; New Poems; Requiem for a Friend; Poems, 1906-1926; French Poems; The Life of Mary; Sonnets to Orpheus; The Duino Elegies; Letters to a Young Poet; and an index of first lines. READ more here:https://www.penguinrandomhouse.com/…/rilke-poems-by-rainer…/




"Black Cat" by Rainer Maria Rilke
A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:
just as a raving madman, when nothing else
can ease him, charges into his dark night
howling, pounds on the padded wall, and feels
the rage being taken in and pacified.
She seems to hide all looks that have ever fallen
into her, so that, like an audience,
she can look them over, menacing and sullen,
and curl to sleep with them. But all at once
as if awakened, she turns her face to yours;
and with a shock, you see yourself, tiny,
inside the golden amber of her eyeballs
suspended, like a prehistoric fly.
*
Poems: Rilke contains poems from The Book of Images; New Poems; Requiem for a Friend; Poems, 1906-1926; French Poems; The Life of Mary; Sonnets to Orpheus; The Duino Elegies; Letters to a Young Poet; and an index of first lines.

Sylvia Beach looking like she is about to burst into song in front of her bookshop, 'Shakespeare & Co' in Paris ...


Sylvia Beach looking like she is about to burst into song in front of her bookshop, 'Shakespeare & Co' in Paris ...

-----

Sylvia Beach, born Nancy Woodbridge Beach, was an American-born bookseller and publisher who lived most of her life in Paris, where she was one of the leading expatriate figures between World War I and II. Wikipedia
DiedOctober 5, 1962, Paris, France
NationalityAmerican

2018年12月25日 星期二

HART-LEAP WELL 鹿跳泉 William Wordsworth





Verse > William Wordsworth > Complete Poetical Works
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CONTENTS      BIBLIOGRAPHIC RECORD


HART-LEAP WELL

          THE Knight had ridden down from Wensley Moor
          With the slow motion of a summer's cloud,
          And now, as he approached a vassal's door,
          "Bring forth another horse!" he cried aloud.

          "Another horse!"--That shout the vassal heard
          And saddled his best Steed, a comely grey;
          Sir Walter mounted him; he was the third
          Which he had mounted on that glorious day.

          Joy sparkled in the prancing courser's eyes;
          The horse and horseman are a happy pair;                    10
          But, though Sir Walter like a falcon flies,
          There is a doleful silence in the air.

          A rout this morning left Sir Walter's Hall,
          That as they galloped made the echoes roar;
          But horse and man are vanished, one and all;
          Such race, I think, was never seen before.

          Sir Walter, restless as a veering wind,
          Calls to the few tired dogs that yet remain:
          Blanch, Swift, and Music, noblest of their kind,
          Follow, and up the weary mountain strain.                   20

          The Knight hallooed, he cheered and chid them on
          With suppliant gestures and upbraidings stern;
          But breath and eyesight fail; and, one by one,
          The dogs are stretched among the mountain fern.

          Where is the throng, the tumult of the race?
          The bugles that so joyfully were blown?
          --This chase it looks not like an earthly chase;
          Sir Walter and the Hart are left alone.

          The poor Hart toils along the mountainside;
          I will not stop to tell how far he fled,                    30
          Nor will I mention by what death he died;
          But now the Knight beholds him lying dead.

          Dismounting, then, he leaned against a thorn;
          He had no follower, dog, nor man, nor boy:
          He neither cracked his whip, nor blew his horn,
          But gazed upon the spoil with silent joy.

          Close to the thorn on which Sir Walter leaned,
          Stood his dumb partner in this glorious feat;
          Weak as a lamb the hour that it is yeaned;
          And white with foam as if with cleaving sleet.              40

          Upon his side the Hart was lying stretched:
          His nostril touched a spring beneath a hill,
          And with the last deep groan his breath had fetched
          The waters of the spring were trembling still.

          And now, too happy for repose or rest,
          (Never had living man such joyful lot!)
          Sir Walter walked all round, north, south, and west,
          And gazed and gazed upon that darling spot.

          And climbing up the hill--(it was at least
          Four roods of sheer ascent) Sir Walter found                50
          Three several hoof-marks which the hunted Beast
          Had left imprinted on the grassy ground.

          Sir Walter wiped his face, and cried, "Till now
          Such sight was never seen by human eyes:
          Three leaps have borne him from this lofty brow,
          Down to the very fountain where he lies.

          "I'll build a pleasure-house upon this spot,
          And a small arbour, made for rural joy;
          'Twill be the traveller's shed, the pilgrim's cot,
          A place of love for damsels that are coy.                   60

          "A cunning artist will I have to frame
          A basin for that fountain in the dell!
          And they who do make mention of the same,
          From this day forth, shall call it HART-LEAP WELL.

          "And, gallant Stag! to make thy praises known,
          Another monument shall here be raised;
          Three several pillars, each a rough-hewn stone,
          And planted where thy hoofs the turf have grazed.

          "And, in the summer-time when days are long,
          I will come hither with my Paramour;                        70
          And with the dancers and the minstrel's song
          We will make merry in that pleasant bower.

          "Till the foundations of the mountains fail
          My mansion with its arbour shall endure;--
          The joy of them who till the fields of Swale,
          And them who dwell among the woods of Ure!"

          Then home he went, and left the Hart, stone-dead,
          With breathless nostrils stretched above the spring.
          --Soon did the Knight perform what he had said;
          And far and wide the fame thereof did ring.                 80

          Ere thrice the Moon into her port had steered,
          A cup of stone received the living well;
          Three pillars of rude stone Sir Walter reared,
          And built a house of pleasure in the dell.

          And near the fountain, flowers of stature tall
          With trailing plants and trees were intertwined,--
          Which soon composed a little sylvan hall,
          A leafy shelter from the sun and wind.

          And thither, when the summer days were long,
          Sir Walter led his wondering Paramour;                      90
          And with the dancers and the minstrel's song
          Made merriment within that pleasant bower.

          The Knight, Sir Walter, died in course of time,
          And his bones lie in his paternal vale.--
          But there is matter for a second rhyme,
          And I to this would add another tale.

                              PART SECOND

          THE moving accident is not my trade;
          To freeze the blood I have no ready arts:
          'Tis my delight, alone in summer shade,
          To pipe a simple song for thinking hearts.                 100

          As I from Hawes to Richmond did repair,
          It chanced that I saw standing in a dell
          Three aspens at three corners of a square;
          And one, not four yards distant, near a well.

          What this imported I could ill divine:
          And, pulling now the rein my horse to stop,
          I saw three pillars standing in a line,--
          The last stone-pillar on a dark hill-top.

          The trees were grey, with neither arms nor head;
          Half wasted the square mound of tawny green;               120
          So that you just might say, as then I said,
          "Here in old time the hand of man hath been."

          I looked upon the hill both far and near,
          More doleful place did never eye survey;
          It seemed as if the spring-time came not here,
          And Nature here were willing to decay.

          I stood in various thoughts and fancies lost,
          When one, who was in shepherd's garb attired,
          Came up the hollow:--him did I accost,
          And what this place might be I then inquired.              130

          The Shepherd stopped, and that same story told
          Which in my former rhyme I have rehearsed.
          "A jolly place," said he, "in times of old!
          But something ails it now: the spot is curst.

          "You see these lifeless stumps of aspen wood--
          Some say that they are beeches, others elms--
          These were the bower; and here a mansion stood,
          The finest palace of a hundred realms!

          "The arbour does its own condition tell;
          You see the stones, the fountain, and the stream;          140
          But as to the great Lodge! you might as well
          Hunt half a day for a forgotten dream.

          "There's neither dog nor heifer, horse nor sheep,
          Will wet his lips within that cup of stone;
          And oftentimes, when all are fast asleep,
          This water doth send forth a dolorous groan.

          "Some say that here a murder has been done,
          And blood cries out for blood: but, for my part,
          I've guessed, when I've been sitting in the sun,
          That it was all for that unhappy Hart.                     150

          "What thoughts must through the creature's brain have past!
          Even from the topmost stone, upon the steep,
          Are but three bounds--and look, Sir, at this last--
          O Master! it has been a cruel leap.

          "For thirteen hours he ran a desperate race;
          And in my simple mind we cannot tell
          What cause the Hart might have to love this place,
          And come and make his deathbed near the well.

          "Here on the grass perhaps asleep he sank,
          Lulled by the fountain in the summer-tide;                 160
          This water was perhaps the first he drank
          When he had wandered from his mother's side.

          "In April here beneath the flowering thorn
          He heard the birds their morning carols sing;
          And he, perhaps, for aught we know, was born
          Not half a furlong from that self-same spring.

          "Now, here is neither grass nor pleasant shade;
          The sun on drearier hollow never shone;
          So will it be, as I have often said,
          Till trees, and stones, and fountain, all are gone."       170

          "Grey-headed Shepherd, thou hast spoken well;
          Small difference lies between thy creed and mine:
          This Beast not unobserved by Nature fell;
          His death was mourned by sympathy divine.

          "The Being, that is in the clouds and air,
          That is in the green leaves among the groves,
          Maintains a deep and reverential care
          For the unoffending creatures whom he loves.

          "The pleasure-house is dust:--behind, before,
          This is no common waste, no common gloom;                  180
          But Nature, in due course of time, once more
          Shall here put on her beauty and her bloom.

          "She leaves these objects to a slow decay,
          That what we are, and have been, may be known;
          But at the coming of the milder day,
          These monuments shall all be overgrown.

          "One lesson, Shepherd, let us two divide,
          Taught both by what she shows, and what conceals;
          Never to blend our pleasure or our pride
          With sorrow of the meanest thing that feels."              190
                                                              1800.







Hart (deer)

From Wikipedia, the free encyclopedia
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Hunting the Hart, a picture from Turbervile, copied from La Venerie de Jaques du Fouilloux, 16th century
Hart is an archaic word for "stag" (from Old English heorot, "deer" – compare with modern Dutch hert, medieval French "hart", German Hirsch and Swedish/Norwegian/Danish hjort, also "deer").
Specifically, "hart" was used in medieval times to describe a red deer stag more than five years old.

History[edit]

In medieval hunting terms, a stag in its first year was called a "calf" or "calfe", in its second a "brocket", in its third a "spayed", "spade", or "spayard", in its fourth a "staggerd" or "staggard", and in its fifth a "stag", or a "great stag".[1][2] To be a "hart" was its fully mature state. A lord would want to hunt not just any deer, but a mature stag in good condition, partly for the extra meat and fat it would carry, but also for prestige. Hence a hart could be designated "a hart of grease", (a fat stag), "a hart of ten", (a stag with ten points on its antlers) or "a royal hart" (a stag which had been hunted by a royal personage).[3][4] A stag which was old enough to be hunted was called a "warrantable" stag.


2018年12月24日 星期一

讀 THE LAST OF THE FLOCK By William Wordsworth,想起陳逸雄(1929~1997)、林莊生 ( 1930~2015 )就〈不能妄的盛餐〉的交流

〈不能妄的盛餐〉,參考:


威廉·華茲華斯(William Wordsworth,1770—1850)

THE LAST OF THE FLOCK

                                   I

          IN distant countries have I been,
          And yet I have not often seen
          A healthy man, a man full grown,
          Weep in the public roads, alone.
          But such a one, on English ground,
          And in the broad highway, I met;
          Along the broad highway he came,
          His cheeks with tears were wet:
          Sturdy he seemed, though he was sad;
          And in his arms a Lamb he had.

                                   II

          He saw me, and he turned aside,
          As if he wished himself to hide:
          And with his coat did then essay
          To wipe those briny tears away.
          I followed him, and said, "My friend,
          What ails you? wherefore weep you so?"
          --"Shame on me, Sir! this lusty Lamb,
          He makes my tears to flow.
          To-day I fetched him from the rock;
          He is the last of all my flock,

                                   III

          "When I was young, a single man,
          And after youthful follies ran,
          Though little given to care and thought,
          Yet, so it was, an ewe I bought;
          And other sheep from her I raised,
          As healthy sheep as you might see;
          And then I married, and was rich
          As I could wish to be;
          Of sheep I numbered a full score,
          And every year increased my store.

                                   IV

          "Year after year my stock it grew;
          And from this one, this single ewe,
          Full fifty comely sheep I raised,
          As fine a flock as ever grazed!
          Upon the Quantock hills they fed;
          They throve, and we at home did thrive:
          --This lusty Lamb of all my store
          Is all that is alive;
          And now I care not if we die,
          And perish all of poverty.

                                   V

          "Six Children, Sir! had I to feed;
          Hard labour in a time of need!
          My pride was tamed, and in our grief
          I of the Parish asked relief.
          They said, I was a wealthy man;
          My sheep upon the uplands fed,
          And it was fit that thence I took
          Whereof to buy us bread.
          'Do this: how can we give to you,'
          They cried, 'what to the poor is due?'

                                   VI

          "I sold a sheep, as they had said,
          And bought my little children bread,
          And they were healthy with their food
          For me--it never did me good.
          A woeful time it was for me,
          To see the end of all my gains,
          The pretty flock which I had reared
          With all my care and pains,
          To see it melt like snow away--
          For me it was a woeful day.

                                 VII

          "Another still! and still another!
          A little lamb, and then its mother!
          It was a vein that never stopped--
          Like blood-drops from my heart they dropped.
          'Till thirty were not left alive
          They dwindled, dwindled, one by one
          And I may say, that many a time
          I wished they all were gone--
          Reckless of what might come at last
          Were but the bitter struggle past.

                                  VIII

          "To wicked deeds I was inclined,
          And wicked fancies crossed my mind;
          And every man I chanced to see,
          I thought he knew some ill of me:
          No peace, no comfort could I find,
          No ease, within doors or without;
          And, crazily and wearily
          I went my work about;
          And oft was moved to flee from home,
          And hide my head where wild beasts roam.

                                   IX

          "Sir! 'twas a precious flock to me,
          As dear as my own children be;
          For daily with my growing store
          I loved my children more and more.
          Alas! it was an evil time;
          God cursed me in my sore distress;
          I prayed, yet every day I thought
          I loved my children less;
          And every week, and every day,
          My flock it seemed to melt away.

                                   X

          "They dwindled, Sir, sad sight to see!
          From ten to five, from five to three,
          A lamb, a wether, and a ewe;--
          And then at last from three to two;
          And, of my fifty, yesterday
          I had but only one:
          And here it lies upon my arm,
          Alas! and I have none;--
          To-day I fetched it from the rock;
          It is the last of all my flock."
                                                              1798.



" I Wandered Lonely As A Cloud (Daffodils)" by William Wordsworth



How a walk beside Ullswater inspired one of the most popular poems in the English language.
"And then my heart with pleasure fills, and dances with the daffodils."
BBC.IN




"I WANDERED LONELY AS A CLOUD"

          I WANDERED lonely as a cloud
          That floats on high o'er vales and hills,
          When all at once I saw a crowd,
          A host, of golden daffodils;
          Beside the lake, beneath the trees,
          Fluttering and dancing in the breeze.

          Continuous as the stars that shine
          And twinkle on the milky way,
          They stretched in never-ending line
          Along the margin of a bay:                                  10
          Ten thousand saw I at a glance,
          Tossing their heads in sprightly dance.

          The waves beside them danced; but they
          Out-did the sparkling waves in glee:
          A poet could not but be gay,
          In such a jocund company:
          I gazed--and gazed--but little thought
          What wealth the show to me had brought:

          For oft, when on my couch I lie
          In vacant or in pensive mood,                               20
          They flash upon that inward eye
          Which is the bliss of solitude;
          And then my heart with pleasure fills,
          And dances with the daffodils.
                                                              1804.


Edinburgh International Festival
"When all at once I saw a crowd,
A host, of golden daffodils..."
It seems okay to quote an English poet when these beauties are in bloom wink 表情符號


2016.3
張玉芸 
2月26日漢清講堂 (台北)
《走!我們去看風景》 張玉芸

2016.3.22 :10天前,張玉芸女士就從英國跟我們報春:

春天來了! 春天真的來了! 黃色的水仙花大聲宣佈。

"園藝專家指出,水仙花對氣溫十分敏感,在經歷攝氏2到10度的低溫後,會開始慢慢開花,近來倫敦天氣雖然仍寒冷,但白天氣溫最高可達攝氏13度,綻放的鮮黃與白色水仙花,在寒風中搖曳,預告春天即將到來。"--倫敦公園水仙花盛開 春天腳步近中央社 2016/03/21 07:50(1天前)(中央社記者黃貞貞倫敦20日專電)



2015.12

"I Wandered Lonely As A Cloud (Daffodils)" by William Wordsworth

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.


Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed- and gazed- but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.


*
Of all the lasting innovations that William Wordsworth (1770-1850) brought to our literature, it is his discovery of nature and his fresh vision of human lives in the context of nature that have most influenced our cultural climate. Here, collected in this volume, are Wordsworth’s finest works, some of the most beautiful poems ever written: from the famous lyrical ballads, including “The Tables Turned” and “Lines Composed a Few Miles Above Tintern Abbey,” to the sonnets and narrative poems, to excerpts from his magnum opus, The Preludes. By turning away from mythological subjects and artificial diction toward the life and language around him, Wordsworth acquired for poetry the strength and new sources of inspiration that have allowed it to survive and flourish in the modern world.

"Chinese Tomb Guardians" by Robert Bly



Poet Robert Elwood Bly was born in Lac qui Parle County, Minnesota on this day in 1926.
"Oh yes, I love you, book of my confessions
where what was swallowed, pushed away, sunken,
driven down, begins to rise from the earth 
once more, and the madness and rage from the wells.
The buried is still buried, like cows who eat
in a collapsed strawpile all winter to get out."
--from "Chinese Tomb Guardians" by Robert Bly
POEMS ABOUT SCULPTURE is a unique anthology of poems from around the world and across the ages about our most enduring art form. Sculpture has the longest memory of the arts: from the Paleolithic era, we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations. From Keats’s Grecian urn and Shelley’s “Ozymandias” to contemporary verse about Maya Lin’s Vietnam Veterans Memorial and Janet Echelman’s wind-borne hovering nets, the pieces in this collection convert the physical materials of the plastic arts—clay, wood, glass, marble, granite, bronze, and more—into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden, and Plath. A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers of all kinds. READ an excerpt from the foreword here: https://www.penguinrandomhouse.com/…/poems-about-sculpture…/

William Wordsworth: Ode. Intimations of Immortality


  1. 2011.12.7

    胡適之先生
    Has China Remained Stationary During the Last Thousand Years?
    中國近一千年是停滯不進步嗎?
    末文引一首詩
    由於沒讀過原文
    從中譯找些可能的字 得些相類似的

    待進一步努力


    Verse > William Wordsworth > Complete Poetical Works

    ODE


    INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD I THERE was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;-- Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more. II The Rainbow comes and goes, And lovely is the Rose, The Moon doth with delight Look round her when the heavens are bare, Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where'er I go, That there hath past away a glory from the earth. III Now, while the birds thus sing a joyous song, And while the young lambs bound As to the tabor's sound, To me alone there came a thought of grief: A timely utterance gave that thought relief, And I again am strong: The cataracts blow their trumpets from the steep; No more shall grief of mine the season wrong; I hear the Echoes through the mountains throng, The Winds come to me from the fields of sleep, And all the earth is gay; Land and sea Give themselves up to jollity, And with the heart of May Doth every Beast keep holiday;-- Thou Child of Joy, Shout round me, let me hear thy shouts, thou happy Shepherd-boy! IV Ye blessed Creatures, I have heard the call Ye to each other make; I see The heavens laugh with you in your jubilee; My heart is at your festival, My head hath its coronal, The fulness of your bliss, I feel--I feel it all. Oh evil day! if I were sullen While Earth herself is adorning, This sweet May-morning, And the Children are culling On every side, In a thousand valleys far and wide, Fresh flowers; while the sun shines warm, And the Babe leaps up on his Mother's arm:-- I hear, I hear, with joy I hear! --But there's a Tree, of many, one, A single Field which I have looked upon, Both of them speak of something that is gone: The Pansy at my feet Doth the same tale repeat: Whither is fled the visionary gleam? Where is it now, the glory and the dream? V Our birth is but a sleep and a forgetting: The Soul that rises with us, our life's Star, Hath had elsewhere its setting, And cometh from afar: Not in entire forgetfulness, And not in utter nakedness, But trailing clouds of glory do we come From God, who is our home: Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing Boy, But He beholds the light, and whence it flows, He sees it in his joy; The Youth, who daily farther from the east Must travel, still is Nature's Priest, And by the vision splendid Is on his way attended; At length the Man perceives it die away, And fade into the light of common day. VI Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a Mother's mind, And no unworthy aim, The homely Nurse doth all she can To make her Foster-child, her Inmate Man, Forget the glories he hath known, And that imperial palace whence he came. VII Behold the Child among his new-born blisses, A six years' Darling of a pigmy size! See, where 'mid work of his own hand he lies, Fretted by sallies of his mother's kisses, With light upon him from his father's eyes! See, at his feet, some little plan or chart, Some fragment from his dream of human life, Shaped by himself with newly-learned art; A wedding or a festival, A mourning or a funeral; And this hath now his heart, And unto this he frames his song: Then will he fit his tongue To dialogues of business, love, or strife; But it will not be long Ere this be thrown aside, And with new joy and pride The little Actor cons another part; Filling from time to time his "humorous stage" With all the Persons, down to palsied Age, That Life brings with her in her equipage; As if his whole vocation Were endless imitation. VIII Thou, whose exterior semblance doth belie Thy Soul's immensity; Thou best Philosopher, who yet dost keep Thy heritage, thou Eye among the blind, That, deaf and silent, read'st the eternal deep, Haunted for ever by the eternal mind,-- Mighty Prophet! Seer blest! On whom those truths do rest, Which we are toiling all our lives to find, In darkness lost, the darkness of the grave; Thou, over whom thy Immortality Broods like the Day, a Master o'er a Slave, A Presence which is not to be put by; Thou little Child, yet glorious in the might Of heaven-born freedom on thy being's height, Why with such earnest pains dost thou provoke The years to bring the inevitable yoke, Thus blindly with thy blessedness at strife? Full soon thy Soul shall have her earthly freight, And custom lie upon thee with a weight Heavy as frost, and deep almost as life! IX O joy! that in our embers Is something that doth live, That nature yet remembers What was so fugitive! The thought of our past years in me doth breed Perpetual benediction: not indeed For that which is most worthy to be blest-- Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast:-- Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised: But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence: truths that wake, To perish never; Which neither listlessness, nor mad endeavour, Nor Man nor Boy, Nor all that is at enmity with joy, Can utterly abolish or destroy! Hence in a season of calm weather Though inland far we be, Our Souls have sight of that immortal sea Which brought us hither, Can in a moment travel thither, And see the Children sport upon the shore, And hear the mighty waters rolling evermore. X Then sing, ye Birds, sing, sing a joyous song! And let the young Lambs bound As to the tabor's sound! We in thought will join your throng, Ye that pipe and ye that play, Ye that through your hearts to-day Feel the gladness of the May! What though the radiance which was once so bright Be now for ever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind; In the primal sympathy Which having been must ever be; In the soothing thoughts that spring Out of human suffering; In the faith that looks through death, In years that bring the philosophic mind. XI And O, ye Fountains, Meadows, Hills, and Groves, Forebode not any severing of our loves! Yet in my heart of hearts I feel your might; I only have relinquished one delight To live beneath your more habitual sway. I love the Brooks which down their channels fret, Even more than when I tripped lightly as they; The innocent brightness of a new-born Day Is lovely yet; The Clouds that gather round the setting sun Do take a sober colouring from an eye That hath kept watch o'er man's mortality; Another race hath been, and other palms are won. Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears. 1803-6. 




  2. The poet William Wordsworth was born ‪#‎onthisday‬ in 1770. This drawing of William Wordsworth was made in 1833, when Wordsworth was 63 years old. The signature at the bottom left is of ‘Alfred Croquis’, the pseudonym of the artist Daniel Maclise.‪#‎DiscoverLiterature‬ and find out more http://bit.ly/1CTSkng









    536. Ode. Intimations of Immortality - Bartleby.com

  3. www.bartleby.com › Verse › Anthologies › Arthur Quiller-Couch

    THERE was a time when meadow, grove, and stream,. The earth, and every common sight,. To me did seem. Apparell'd in celestial light,. The glory and the ...

http://en.wikipedia.org/wiki/Ode:_Intimations_of_Immortality



William Wordsworth was born ‪#‎onthisday‬ in 1770. Here’s an illustration to his ode Intimations of Immortality http://ow.ly/L7plt

William Wordsworth, in his 1797 poem The Reverie of Poor Susan, imagines a naturalistic Cheapside of past:
And a river flows on through the vale of Cheapside.